Baharen Phir Bhi Aayengi Full Movie | Dharmendra | Tanuja | Mala Sinha | Old Classic Hindi Movie

3:30 | Read the back-page in Jagriti?
– Yes, and I’m wondering. . . how the news of the mines got to the
presses despite Mr Das being in place

3:39 | Got to thrash it out
at the board meeting

3:56 | Wait

4:03 | Hello, my chest is a bit of an
inconvenience for your umbrella

4:12 | Where’s your friend?
– My friend? Jiten. . . ? Where is he?
– Returned to Calcutta yesterday

4:21 | Came directly to the office,
after I left for the day Since then, no news

4:28 | Umbrella ! On my foot Please hold it aloft?

4:43 | Send Jiten to me as soon as he
comes to office. Understand? Whatever you say. Bye

5:00 | Profile, first class! Front, super class!
– What. . . ?

5:06 | My compliments. I’m Mr Chunilal,
chief photographer. You are. . . ?

5:17 | Ruby! Pink diamond ! What an apt name!

5:25 | Pink lips, pink cheeks, pink all over

5:33 | Since when have you been here? Day before yesterday.
– I’ve been here for years

5:43 | If you have any
problems here, just tell me

5:48 | I got a link right
upto the managing director Right upto the managing director?
– I meet her every evening for tea

6:00 | The managing director This is no time for tea

6:17 | Great

6:22 | Wake up, it’s morning The news editor has summoned you.
– Give me some time

6:29 | On the double. This morning,
he’s missing you dearly

6:35 | What have you been upto?
– You’ll get to know in a while In a while? Why, what’s to happen?
– War. Between truth and falsehood

6:45 | War. . . ? No, not today, I’m in
the mood for romance. Yes dear?

6:53 | This dear is cut off for now!

6:59 | Are you the news editor?
– Yes Mr Das, Seth Gulabchand says that
the story on his mines is incorrect

7:10 | Absolutely incorrect, sir! I
didn’t give permission to publish it That Jiten Gupta did it.
– Who is this Jiten Gupta?

7:18 | One of our reporters.
– It’s his news He forged my signature
and sent it to the presses

7:26 | Forgery. . . ? The managing director ought to
take note of the disciplinary aspect

7:35 | Mr Das, you may leave.
– Fine

7:41 | Madam, did we invest millions in your
newspaper to bring ourselves to harm?

7:49 | We ought to profit. Only profit

7:58 | Is this a request or a threat? Not to misunderstand

8:04 | A request From this newspaper, our
businesses ought to gain. Not lose

8:11 | Your involvement with the newspaper
is only in the share of profits

8:16 | Deciding the policy of the newspaper,
running it, is my responsibility

8:23 | And I am fully aware
of my responsibilities

8:53 | Got to take a look at
the book before sundown

9:09 | Drinking in office?
– The office being the problem. . . here’s right where I take care of it.
– I’ll do it for you

9:15 | What are you doing? ! You’ve
spilled half! Let me have the rest No, I’m throwing it all away.
– Go on ! I’ve got money

9:25 | That was a quarter of a bottle.
I’ll buy myself a whole bottle Let’s see how you do that.
– Mr Gupta. . . What is it?
– Madam wants to see Mr Gupta

9:35 | Calling you ! For the first time!
You’re surely getting a promotion Give my money back!
– You aren’t getting it back

9:43 | You think I can’t buy on credit?
At month’s end, I drink on credit

10:06 | Are you Jiten Gupta?
– Yes The news about the mines is yours?
– Yes

10:15 | Without permission of
the news editor? – Yes

10:36 | Your job is getting the news.
Publishing is the news editor’s job

10:43 | I know, but. . .
– Why are you indiscipline? For the sake of the
ideals of this newspaper

10:50 | Isn’t this our motto?
”Let the Truth prevail” My news is correct. The mines
are in a precarious condition

10:59 | They might collapse at any time.
Several miners might be killed

11:08 | You shall state your case without
getting carried away. Talk business

11:14 | I’m not getting carried away.
Tell me, what is more precious? The lives of the miners?
Or office discipline?

11:22 | I wish you saw for yourself
the poor miners deep underground

11:28 | Sans fresh air and the
heat could melt your brains The work conditions are stifling

11:36 | You know why? If they don’t
work their children will starve

11:41 | Hapless as they are, they
mustn’t be oppressed in this manner What oppression?
– I have the evidence

11:49 | The mine-owners are playing with their
lives. Just look at my photographs Just look at the state. Ceilings,
about to cave in, flooding waters

12:00 | Do take a look, madam Why didn’t you show
this to the news editor?

12:07 | I did, but he refused to
publish it. I hear he’s their man

12:13 | Whose man?
– The mine owners’ Enough !

12:19 | Mr Das has been working with us for
eight years. Not a word against him

12:25 | As you please. One last thing I have no more time.
– The working of those mines must stop

12:33 | You may leave.
– It’s a matter of lives Stop arguing.
– Give me a hearing

12:39 | I told you. You may leave.
I wish to hear no more Why won’t you? You must.
You can, if you wish. . .

12:46 | use the newspaper to save lives.
Else, today or tomorrow. . .

12:53 | the mines will cave in,
crushing miners to death Women will be widowed,
children will be orphaned

12:59 | And you will be responsible Silence

13:12 | I hear this paper fought for
the people, for the truth. . . in you father’s times.
The daughter, I see. . .

13:23 | has sold out to the capitalists This insolence has cost you your job.
– Not my life, I hope

13:34 | As long as I preserve my courage,
employers, there will be many

13:40 | Maybe you never heard the
saying about the Eternal Spring

13:47 | The arrival of The
Spring will never cease

14:32 | Who else is around?
– I’m laughing it out all alone Just read a lovely joke

14:47 | I failed? Complete failure

14:52 | But the results are expected tomorrow.
How come you’ve found out today?

14:57 | A friend told me.
– Your friend is talking rot He works at the university.
– At the university?

15:08 | Then. . .

15:14 | What happened, Baby?
– The telephone And. . .
– Conversation

15:19 | And. . . ?
– Don’t you see? I’m in tears! And why are you in tears?
– Tomorrow, Didi will scream at me

15:26 | What for? I’ve never
heard her screaming at you That’s why I’m so sacred !
No! I can’t show her my face

15:36 | Not anymore

16:03 | Would it cost you your
tongue to apologise?

16:09 | Yes Hear that, brother? Take a good look at him. The
one and only, in all of India

16:19 | As much fun as an ass has in summer. . . this man enjoys going broke

16:24 | Sure.
– What do you mean? He just got fired And look at him enjoying himself

16:32 | Wonderful ! Just look at the
display of sheer nonchalance

16:41 | Come off it! I’m talking to you.
– Yes, go on Why didn’t you apologise to her?
– Why should I?

16:48 | Indeed ! Your father left you a legacy!
So you kick the job! Not your ego

16:57 | Not ego. Ideals.
– Ideals! Indeed !

17:02 | I’m talking to you.
Just look at him, brother

17:07 | The world is making money.
And he’s after ideals!

17:13 | And why not? Money isn’t as
exciting as the ideal, is it?

17:20 | Move over

17:26 | Listen, your ideals won’t work,
not in 1 96 2. Not listening, are you?

17:33 | You’ll die starving, soon.
Let’s see who gives you a job Lots Chuni Lal, lots

17:51 | ”Let the gardener be gone” ”But in Eden it always blossoms”

17:59 | ”The Spring always returns” ”Spring will always return”

18:53 | ”Don’t let yourself tire,
don’t let yourself be stifled” ”Go on, singing your tune”

19:10 | ”Among thorns, make
flowers blossom. . . ” ”use them to fill your emptiness”

19:27 | ”Let the wind fan the flames” ”Let there be venom in the air”

19:35 | ”Yet The Spring always returns” ”Spring will always return”

20:05 | ”What is light, what is darkness?” ”I belong to none”

20:22 | ”Your dreams, your desires,
are all you have”

20:39 | ”Let the world treat you mercilessly” ”Let not the climes suit you”

20:47 | ”Yet, The Spring always returns” ”Spring will always return”

21:58 | What are you upto? Oh how cruel a world this is! – How
cruelly has your world dealt you?

22:06 | I can’t even jump when I want to die!
– Why do you wish to die?

22:12 | How are you concerned? Intruding
upon someone’s privacy is uncivilised

22:18 | Forgive me this error.
Go on, jump. Go ahead

22:23 | It’s going to take another
three quarters of an hour In the wait for an auspicious moment?

22:32 | Worked on it for 4 5 minutes. . . to get into the mood for the plunge.
In the nick of time, you transpire!

22:39 | Ruined all my efforts! Then I have committed a grave crime!

22:49 | Get out of this madness. Go home.
– I’m not returning

22:57 | Why is the train stopping here?

23:28 | Listen. . .

23:37 | Sprain?
– All because of you Had you not meddled, I wouldn’t
have had to make this getaway

23:44 | Or I would’ve been dead by now.
– Sorry for spoiling the fun

23:49 | Let me drop you home.
– I’m not going home Then I shall, perforce.
– My foot hurts! Brute!

23:59 | If you must do it like
a gentleman. Pick me up

24:07 | Don’t you watch films? Are
girls picked up like this? Yes, this is the way
every burden is carried

24:46 | Is Babli asleep?
– She locked herself in all evening Is she all right?
– Yes, you want me to wake her up?

24:54 | No, let her sleep

25:00 | You won’t give me your name
and address? – No, no and no! Let’s see, for how long.
– Till eternity

25:06 | Until then I am pursuing you

25:13 | Look. . . All you need is the reins

25:22 | Step down.
– I won’t You aren’t on mule-back.
It’s my back. Get off

25:28 | Get off, I say

25:35 | This man brought me here forcibly!
– I’m taking her home I won’t, won’t and I won’t!

25:43 | Why are you limping?
– He gave me the limp Your woman she won’t go home with you.
So you beat her up? Aren’t you ashamed?

25:53 | Why not? If women won’t stay at home,
will men not raise their hands?

25:59 | If men raise their hands,
will women stay at home? You’re right. Please save me.
From him. – Don’t you worry, sister

26:08 | He won’t even point
a finger at you. Come inside You will keep watching !

26:16 | God save us from these women.
Be nice to them. . .

26:22 | and they want to perch on your head.
– In my case, it has been the back

26:27 | Who knows what is in store!

26:39 | I see. Tit for tat, eh? He
vanishes even without waking me up

26:48 | When is the next train back?
– Tomorrow Stood me up for a whole night.
Scoundrel ! I won’t spare him

27:09 | This fellow won’t get up so easily

27:14 | Can I find anything here? Ticket, ticket!
– I got a pass. You got any problems?

27:21 | Show me your pass.
– Hold this

27:30 | Son of a gun !
– What did you say? Not you brother, not you.
– You just said it

27:37 | I was describing someone else.
But if that describes you. . . well, you’re a son of a gun !
– Hold your tongue, I say!

27:46 | Pipe down ! You’re talking to a
press photographer, do you know?

27:52 | Irrespective, the fine is 2. 50.
– Pipe down, I said I’ll pay you double. Plus a tip.
But not today, tomorrow

28:03 | You want to bribe me? Constable! The constable takes a cut?

28:10 | Why not call in the
station master too?

28:15 | The three of you can freak out!
– No!

28:34 | Hurts less. . . ?
– Vanished

28:40 | What a way to treat you.
He must be cruel Very cruel

28:46 | Any children?
– Ask him Him. . . ? Why not you?
– How would I know how many he has?

28:56 | Goodness! Is he wayward?

29:01 | Outrageous.
– Is that so? Then he’ll mend his
ways before he leaves

29:11 | Are you human? Or a demon? You have a woman at home.
Yet you are wayward?

29:17 | What rot are you saying?
– Shut up! Poor thing has such bad luck to be
tied to him! I ask her, how many kids?

29:25 | She says, ask my husband. Such a
demon ! Always running after girls She’s lying ! I’ve got
nothing to do with her

29:33 | Then why were you backpacking her?
You think you can fool me? Move

29:38 | What are you doing?
– You stay back You’ll mend your ways before you leave

29:44 | In you go. Apologise to your woman.
– But she isn’t. . . She has suffered enough.
Apologise to her

29:51 | Go inside Bolt the door

30:00 | Why did you shut the door?
– I’m being forced. . .

30:06 | to spend the night here.
– Here? With me?

30:14 | Why did you tell her
we’re man and woman? Is that a lie? A man is one who
grows a beard. The rest are women

30:23 | Brilliant! In local parlance,
man-woman means man and wife

31:39 | Once more Get lost

31:52 | You’re such a savage! You ought
to take a lesson from this couple

31:58 | No sooner than her man
woos her, she’s willing They love each other so much

32:09 | Are you begging of your wife now?
Weren’t you so brash a while ago?

32:50 | Fresh news! Newspaper

33:09 | Money
– Money. . . ? Keep it

33:29 | Address. . . Siakhala Name. . . Chuni Lal

34:15 | Where’s Babli?
– Still asleep Hasn’t come out of her room yet.
– What a silly girl

34:31 | This is sleeping a bit too long Is she all right?

34:41 | Coming, Didi ( Didi = sister) Hello.
– Hello

34:47 | Hi Didi ! Where’s Bubbles? She has passed. In second division

34:54 | But where is she?
– Inside. Should be coming out

35:02 | Yesterday, I made
such a fool of Bubbles!

35:07 | Really? Were you saying something, Mr Verma?
– Yes, as I was saying. . .

35:16 | now that Babli has passed. . .

35:21 | makes it twice as happy a day Bubbles isn’t out yet!
Why don’t you call her out?

35:55 | Sushma ! You tell your
uncle to give me my wallet Ma. . . uncles Jitu and
Chuni are at it again

36:01 | Take that Fighting again, Chuni?
– For the last time

36:09 | Not a chance of another quarrel !
Never again will I see his face! Never again will I talk to him!
– Don’t worry, Didi

36:17 | In 5 minutes, he’ll start talking.
– Not in 5 lifetimes!

36:23 | Didi, you tell him not to talk
to me. Our friendship is over But what happened?
– What not?

36:30 | He deserted me on the train,
while I was asleep Curse you ! You’ll never land a job!

36:36 | All night, I was
locked away in the lock-up This morning I pawned my camera to pay
the fine! He’d rather I was in jail !

36:50 | * * *Now I know why you said
I’d talk to him in 5 minutes You wanted to swallow
my money! Cough it up!

36:57 | I didn’t even open your wallet,
Johny. I swear it on you Why swear on me. . . ? Find someone else!

37:03 | Nine bucks yesterday and eight today.
Where did the ninth one go?

37:10 | Could she have. . . ? Out with it. Fast. I got to go to work

37:16 | Didi, unlike him, I haven’t been
fired. – What did you say, Chuni. . . ?

37:23 | It’s true You want me to lie to Didi?

37:38 | Stop blabbering. Here’s money

37:44 | Have you really lost your job?
– So what? He hasn’t compromised. . .

37:50 | on his ideals! Now he and his
ideals are going to sit at home And so what if he gets nothing
to eat? He can live off his ideals

38:00 | When will you come to your senses?
Inflation is soaring How will we make ends meet?
– As long as I’m capable. . .

38:08 | we won’t starve

38:44 | 135 workers killed in mine collapse

38:52 | You can, if you wish, use
the newspaper to save lives Else, today or tomorrow, the mines
will cave in, crushing miners to death

39:00 | Women will be widowed,
children will be orphaned

39:05 | And you will be responsible

39:17 | I hear this paper fought for
the people, for the truth. . . in you father’s times

39:25 | The daughter, I see. . . has sold out to the capitalists

39:34 | Are you all right? In my father’s times, this newspaper
fought for the truth. Always

39:45 | I came to tell you exactly that.
135 miners killed It’s in all the papers. Except ours

39:57 | Let the Truth prevail

40:02 | My father’s legacy.
Reduced to mere sham? Perhaps

40:13 | Going looking for a job. Bless me.
– May God give you success

40:36 | Come on Uncle Chuni ! In a grand car?
– Whose car is it?

40:42 | Riding in the backseat! Door held
open by the chauffeur! Didn’t you see?

40:47 | Come on.
– Where to. . . ? Let me give you a ride
on the backseat! Come on !

41:29 | Oh you. . . ? One minute It’s full of dust. I haven’t
been in here in a long time

41:38 | A vast business is
sometimes an aberration too

41:44 | How did I ever forget this place? Looks like an ancient press office.
– Yes. Daddy’s. Years ago. . .

41:55 | this is where he started out from,
publishing the paper Really?
– This used to be Daddy’s table

42:00 | I’ve left everything as it was.
I do the cleaning and dusting myself I don’t let anyone else in here.
– Forgive me, I didn’t know that

42:09 | I’ll wait for you in your office.
– No, for you, no bars Don’t leave
– Why have you called me?

42:22 | After the other day, I wonder
what you might be thinking of me

42:29 | I’m sure it’s nothing nice.
– I have no complaints against you

42:35 | Really?
– Yes

42:43 | You know, there was never
anyone who dared to talk me down

42:52 | For the first time,
the other day, it was you When I think of it, you were right

43:02 | You haven’t told me
why you have called me I. . . this newspaper needs you.
– I too need a job

43:13 | But working with your news
editor might be difficult

43:19 | Mr Das has been taken off the job. In
his stead, the news editor will be. . .

43:26 | you.
– I. . . ? News editor? Yes, you. With you, my father’s ideal
will flourish again. I am confident

43:38 | Thank you That was the ideal I was born into

43:47 | I feel so calm when I come here I relive my childhood

43:57 | As if Daddy is still here. For hours
I talk to myself, I talk to him

44:05 | Talking to yourself? Don’t you tell anyone.
People will think I’m mad.

44:13 | Maybe you like solitude Solitude? Who ever likes that?
But slowly, it becomes a habit

44:27 | The sun comes in here
quite late in the day Better late than never

44:38 | Mr Chuni Lal. . . hereabouts?
– Yes, come in

44:47 | He lives here?
– No, over there But he has his meals with us.
Ma, someone’s here for Uncle Chuni

44:58 | You’re his niece?
– Not his own

45:03 | Uncle Chuni is my uncle’s friend.
This is my mother

45:08 | Greetings Greetings. Sit

45:14 | Sushma, take this inside Please sit.
– Be seated

45:31 | Are you from town?
– Yes. I wandered a bit But I’m steadfast in my resolve.
I had decided not to return. . .

45:38 | until I found Chuni Lal’s address.
– Chuni is away in Calcutta on work Won’t be back before ten tonight.
– Ten tonight? Blast

45:49 | Waiting that long. . . I’m a girl you see. Had I been a boy,
it’d be different

45:58 | What’s your name? Please be informal
with me. You are my elder

46:04 | May I address you as my sister?
– Sure Look at me Didi, I’m all grown up.
And they still call me by my pet name

46:13 | No one uses my real name!
Sunita. Isn’t that a nice name? Lovely name.
– My name’s Sushma

46:18 | Sushma’s a lovely name too.
But Chuni Lal. . .

46:27 | You even have a guava tree? Lovely house, Didi ! Sushma, you
must be eating raw guavas everyday!

46:34 | We only get the ripe ones.
The ones in the marketplace Would you like to eat guavas?
Let me get you some fresh ones

46:43 | Everything’s nice about
Uncle Chuni. Except one thing

46:49 | He bosses over girls.
– No. He drinks

46:57 | Booze. . . ?
– You didn’t know? Don’t you say I told you !
He’ll twist my ears!

47:16 | Didi !
– What happened? Come here! Open your mouth !

47:22 | What’s this?
– Open your mouth Sushma ! For you too! Take this

47:28 | Gone! Still got the sweets. Take it

47:34 | What are we celebrating?
Are you getting married?

47:40 | Can any girl ever like him?
Look at this face. Vegetable I’m a non-vegetarian, you snake

47:49 | Your brother is such a snake!
I buy sweets to celebrate his job

47:56 | Still he bites!
– Has he found a job? He can’t even beg for a living !
My recommendation worked

48:08 | Ms Sunita was here.
– Who. . . ? Sunita ! What’s that?

48:14 | Stop joking. I liked her Came looking for you this afternoon.
– A girl. . . ?

48:20 | She left this letter for you

48:37 | Not light enough to read Didi, serve us dinner. I’ll be back

48:57 | Vegetable Burn in jealousy. I got the letter

49:17 | That’s a fitting reply. You’ll be even more
jealous if you were to hear

49:25 | She writes,
”You must be wondering. . . ” ”how I found your address”

49:37 | ”7 : 30 pm tomorrow”

49:43 | ”At Brijwasi Sweets on Chowringhee”

49:49 | ”Make sure. . . ” Sure

49:55 | ”Make sure you see me” ”You may not know me by name”

50:04 | ”I’m the one who had
a sprained ankle”

50:11 | One with a sprained ankle?

50:17 | Keep your hands to yourself.
It’s a lady’s letter

50:26 | You see. . . she’s as dainty as an angel,
as delicate as a blossom

50:34 | The day before yesterday,
when I held her hand. . . her wrist seemed to elude me.
– Congratulations

50:41 | So you’re going to see her
at 7 : 30 tomorrow evening?

51:34 | Oh, hello Forgive me, I was engrossed

51:40 | Lovely novel Get on with it.
– Now. . . ?

51:47 | I’ll keep it for later

51:56 | After you

52:03 | My name is Amita You can call me Ms Amita,
instead of Madam

52:12 | Not on every occasion would
I like you to defer to me. . . for being the managing director.
– Not out of awe. I do regard you

52:22 | I see. . . ?
– Yes. I respect you a lot Any particular reason?

52:30 | I think you’re good at heart. . . a beautiful person

52:38 | Beautiful. . .
– What’s on your mind?

52:44 | You fancy grams?
– Sometimes I miss breakfast

52:52 | Grams for breakfast?
– I just make do Very crisp. Would you like some?

53:00 | I think the phone’s
ringing in my office

53:10 | All dressed up and going to meet whom?
– No one. Just trying out the fit

53:15 | Then come to the club with me.
– With you? You must.
– Of course I will. . . but. . .

53:22 | there’s a murder case
I must take some photos What if you’re late?
– Just photographing a corpse

53:31 | Readymade pose!
No posturing before the camera Pull away the sheet and shoot.
Five minutes’ job

53:38 | Let me come along too. No killing looks. This is pure murder

53:46 | No place for a lady to be.
– You just said it’s a 5-minute job I’ll wait outside in the cab.
– First let me find out the address

53:58 | Wait here. I’ll be back

54:10 | You asked for me? Yes

54:15 | Yesterday I read your article
about the northeast situation You’ve been rather harsh.
Are you forgetting?

54:21 | Government policy is
brotherhood with China But our brethren carry knives.
Before 1 96 2 is over. . .

54:29 | they will surely do something.
– I see. . . ? You didn’t like my article, madam?
– Not madam. Amita

54:40 | Tell me Ms Amita. My article. . .
– I like it I’ll have it composed for publishing.
– Wait

54:49 | Tea. . . I ordered for you too Sit. . . be seated

55:03 | Have a sandwich.
– No, thank you A sweet?
– I don’t like sweets

55:13 | Shall I ask for grams? No, tea will be enough

55:33 | Powercut

55:39 | Dark, isn’t it?
– Yes Let me get a candle.
– Wait. . .

55:45 | I think my orderly kept
matches and a candle in this drawer

56:00 | Or is it the upper one? Careful

56:07 | What happened? Sprain?

56:25 | Babli. . . ? I called home and I find
you aren’t at home yet

56:31 | I’m kind of held up With work

56:37 | I would’ve been back by eight.
But my friend isn’t here yet

56:43 | Not Bela. Rosie. She was
supposed to be here by seven thirty Seven thirty?

56:50 | 7 : 30 ! Goodness! What happened?
– It’s past 7 : 30

56:55 | So what?
– Nothing Got to put this in for composing.
It’s getting late

57:06 | You make sure you’re back home early

57:28 | Mr Gupta, wasn’t Chuni with you?
– No

57:48 | She has the sprain. . . What are you saying?
– Nothing

58:04 | She has the sprain. . .

58:14 | Hey, you know me? Let go! Goodness!

58:34 | But you are wearing a frock

58:43 | Sunita-Sunita. . .

58:50 | Are you the one who had the sprain?
– Yes Glad to meet you !
Might a look enhance the pleasure?

59:00 | Show me your face, my love.
– I hear it’s someone else. Ruby?

59:07 | Is she any girl? A girl is
no girl unless she’s coy!

59:14 | Just look at you ! Been trying forever
to take a look at you, but no go. . . ?

59:22 | Reason? You’re coy. That’s a girl !
And that Ruby! Imposes herself on me

59:28 | Imposes. . . ? Perforce.
– But people say. . .

59:34 | Gossip! They malign a gentleman !
All because of Ruby! She fell for me

59:42 | Chuni Lal might be handsome.
But don’t you stop being coy Chuni darling ! My ears are
sick of hearing Chuni-darlings

59:52 | And what a horrible voice!

1:00:22 | So this is the set-up But who is she?

1:00:43 | My cheek! Blood ! Hospital !

1:00:53 | Stop staring. Ask me why
I called you. – What for? Here. To return your money.
– For only this?

1:01:01 | Only May I stop the cab and get off?

1:01:10 | Am I to leave now?

1:01:16 | Sure

1:01:21 | What happened?
– How are you concerned? You want to leave? Just go on.
– But why are you in tears?

1:01:30 | Crying over my foolishness!
I should’ve posted you the money Why did I have to scour your
village in the midsummer sun?

1:01:36 | I could’ve left the money there
for you. Why did I leave a note? Why did I call you here and wait
for you so long? Why, why and why?

1:01:47 | Worth wondering. Why? Perhaps. . .

1:01:52 | Goodness! Could I be. . . in that with you?
– That. . . ?

1:02:00 | Love!
– Looks somewhat like that

1:02:06 | No!

1:02:13 | Bela is in love with someone.
She says, when he touches her. . .

1:02:19 | her whole body is electrified.
Touch me

1:02:25 | Happened?
– Nothing Thank your stars!
You’re saved ! Else. . .

1:02:49 | This time. . . something happened?

1:02:56 | Stop

1:03:31 | Don’t stare
– I will. Even in my dreams

1:03:42 | I’m in a fix.
– Why? Because you’re a drunkard.
How will I face the world?

1:03:49 | I’m neither a drunk, nor Chuni Lal.
– Then. . . ? My name’s Jitendra.
– Sushma’s uncle?

1:03:57 | Yes. Surely you can face
the whole world on that?

1:04:30 | ”Tell the world. . . ”

1:04:37 | ”I fell in love. . . ” ”because I was scared”

1:04:42 | ”Alas, I am in love”

1:05:19 | ”Let the world be jealous” ”Our story is written”

1:05:25 | ”We won’t be afraid”

1:05:30 | ”Hearts we have traded of love” ”Why should we be afraid?”

1:05:37 | ”Oh, my heart skips a beat”

1:05:48 | ”Tell the world. . . ”

1:06:20 | ”Let’s paint the town red” ”Let’s show the world. . . ”

1:06:26 | ”the magic of love”

1:06:31 | ”Hearts speak. . . ” ”flowers blossom. . . ”

1:06:37 | ”in a world anew” ”What I’ve done, I had to do”

1:06:49 | ”Tell the world. . . ”

1:07:27 | Who’s that? Where’s Jitu?
– Don’t even mention him!

1:07:33 | Why are you looking away? Turn around It’s sultry

1:07:40 | And the breeze is blowing this way And these long plantain
leaves swaying in the breeze

1:07:55 | Ma, look at this What are those three
lines on your cheek?

1:08:05 | You see, I revere these godmen. Today, I met one on the way

1:08:15 | One of those who say ”Alakh Niranjan” He was walking

1:08:21 | I stooped to touch his feet,
but he got it wrong He lunged at me with his trident.
Lucky for me, I took it on the cheek

1:08:28 | Could’ve been the eye. . . It wasn’t a godman. He was
about to fall at a woman’s feet

1:08:36 | Don’t you force me to open my mouth.
I’ll use my foulest, in front of Didi Fighting again?
– He, not I

1:08:42 | Snake! He’s trying to malign me!
The whole world knows. . . Chuni Lal won’t even let a female get
close. And he tells her I’m a Casanova

1:08:53 | Whom?
– Sunita To become Chuni Lal,
you got to be born again

1:08:59 | The very name bowled her over!
But how do I face the world?

1:09:04 | They’ll say, Chuni Lal is
after girls! I should drown myself

1:09:11 | Not even in my dreams will
I ever see your face! If ever, I’ll wake myself up

1:09:16 | End of the friendship! Out of my way! Let him be, Didi.
He’ll be fine tomorrow

1:09:26 | Yes. . . ?
– Sunita came to see you? I liked Sunita very much.
When is she coming again?

1:09:33 | Go and play

1:09:51 | Lofty ideal. And I swear by it.
I always lend the other cheek

1:10:00 | At your service If you have any anger left,
you can take it out on this cheek

1:10:09 | Come on, Ruby.
– Don’t you dare Ruby me Will it be the surname, Ms Chatterjee?

1:10:21 | Let’s go
– Listen. . .

1:10:38 | ”Calcutta girls don’t get angry.
This matter is no better”

1:10:47 | ”Listen Ms Chatterjee,
this is a matter of my heart”

1:11:46 | ”All dressed up and
going somewhere at 50 mph?”

1:11:52 | ”Don’t you make romantic
souls jump out of running cars”

1:12:08 | ”On your way out, read
my heart’s open letter”

1:12:41 | ”Tear up that letter in your heart” ”You think you can make a fool of me?”

1:12:58 | ”You swore you love me” ”And you go fishing?”

1:13:06 | ”You tell me now, what is the matter?”

1:13:53 | ”Don’t you try to evade me”

1:13:59 | ”I’ll strangle
myself on your red veil”

1:14:15 | ”But before I die, I’ll
write a letter to the government”

1:14:59 | Be seated. I’ll inform the lady

1:15:29 | You. . . ?

1:15:36 | Here on business. . . ? No, I was just. . .

1:15:41 | Working on a holiday? Or
did you want to see me? I didn’t know you live here.
– Then what brings you here?

1:15:51 | Didi. . . She’s like a tempest!

1:15:57 | This is my naughty sister, Babli Our news editor, Mr Gupta

1:16:06 | Never seen him before. . .
– How could you. . . ? He’s here for the first time

1:16:13 | Please. . . be seated

1:16:24 | Yes, you never told me,
what brings you here. . . I. . .

1:16:30 | It’s so hot today Visiting one of our neighbours?
– Yes. A friend

1:16:39 | I was looking for his address
when I found out that you live here I. . . ?
– No, your sister

1:16:47 | So you wanted to see my sister?
My sister’s such a darling, no. . . ?

1:16:56 | Some tea for you?
– No thanks Mr Gupta, how many children have you?

1:17:09 | Have you. . . ?
– No. Not married yet

1:17:15 | You don’t like the idea of marrying? Didn’t. Until lately that is

1:17:25 | Have you chosen a girl for yourself? Next, you will surely ask
who it is? I don’t mind saying

1:17:36 | Weren’t you playing the piano?
– En passant

1:17:42 | En passant? Playing the
piano isn’t easy, is it?

1:17:48 | She thinks no one can play it better
than she does. You teach her a lesson

1:17:54 | He’ll play the piano? Let me try

1:18:42 | ”I see your face in a new light”

1:18:49 | ”If I’m swayed, am I at fault?”

1:18:57 | ”Your eyes must be saying something?”

1:19:37 | ”The beauty amidst dark tresses”

1:19:45 | ”Like the morning sunshine
filtering through clouds”

1:19:52 | ”Wherever you look. . . ”

1:20:00 | ”Wherever you cast a look,
it’s intoxication all the way”

1:20:56 | ”Downcast eyes, so
dangerously enticing”

1:21:04 | ”In hidden smiles,
there lurks lightning”

1:21:12 | ”Your beauty. . . ”

1:21:19 | ”Your beauty intoxicates you”

1:22:16 | ”At your every footfall,
the seasons change. . . ”

1:22:24 | ”as if The Eternal
Spring flows forth from you”

1:22:31 | ”Who else is as attractive. . . ?”

1:22:39 | ”Who could be as charming as you are”

1:23:43 | Not just the music. A lot of
heart went into that song. For whom?

1:23:48 | For you. . . ? May I leave now, Ms Amita?
– Today’s a holiday. Leave after lunch

1:23:59 | Thanks, some other time. As I told you,
I have an appointment with a friend I’m rather late. Bye

1:24:07 | Wait. . . let the car drop you.
– I’ll tell the chauffeur

1:24:19 | Who was this?
– Mr Jitendra Gupta

1:24:31 | The Chinese have attacked.
Buy up everything We’ll sell
everything on the black-market

1:24:38 | Only if the war deepens. In
the last war, we made millions

1:24:44 | This time, we’ll make tenfold Sunita, you might’ve
heard of the Chinese attack

1:24:50 | I’m leaving for Tejpur?
– Tejpur. . . ? Yes Tejpur. If I get permission,
I’ll go right to the front

1:24:57 | No! You can’t go there.
Send someone else I told the editor, I’m going myself

1:25:04 | Nearly time for the flight.
I won’t be able to see you I’ll see you when I get back.
– No! I’m not letting you go

1:25:13 | What’s up? Why are you so disturbed?
– You know Didi. . . Don’t you leave without seeing me.
– Who’s going? Where?

1:25:23 | Friend of mine. Leaving Calcutta.
I must see her

1:25:32 | What’s come over you? Take the call

1:25:39 | One minute For you

1:25:46 | Yes Mr Shukla What did you say? Mr Gupta is going?

1:25:55 | No! How did you take such a
big decision without my say-so? I tried to convince Mr
Gupta about sending a reporter

1:26:03 | But he said he was sure,
you’d let him go Never! I mean, stop him.
I’ll come and decide who goes

1:26:22 | Chini Lal? Not Chini Lal. Chuni Lal Chuni Lal has ”chini”
( sugar) every morning with tea

1:26:35 | Not even a smile? Fought
with your wife this morning?

1:26:48 | Where’s Mr Gupta?
– I went to stop him. . . as soon as you told me.
– And. . . ?

1:26:54 | But. . .
– Where is he? He had left already.
– Left already?

1:26:59 | You know how important his presence
is for me. . . for the newspaper

1:27:06 | Why did you give him the
chance to endanger his life? Don’t leave! Please! Stay,
for my sake!

1:27:13 | Or tell me you don’t love me.
– I do But I also love my
country and my profession

1:27:21 | The Army is there to save
the country. Why are you going? To tell my countrymen how
bravely they fight the enemy

1:27:31 | After all it’s for us
that the Army is fighting Until we back our Army to the last,
our independence is at stake

1:27:39 | That maybe so. But my
heart doesn’t permit me. . .

1:27:46 | Silly! Nothing’s going to happen
to me. Send me away with a smile

1:28:55 | ”With a smile he greeted me”

1:29:02 | ”I thought it was love”

1:29:09 | ”Oh so mistaken I was”

1:29:15 | ”I thought it was an
expression of amour”

1:29:46 | ”I wasn’t destined to have someone. . .

1:29:52 | ”I could call my own”

1:30:23 | ”Oh why did I think. . . ”

1:30:29 | ”I deserve love?”

1:31:00 | ”Oh how can I weep?”

1:31:06 | ”Oh how do I speak?”

1:31:37 | ”I’m afraid. . . ”

1:31:43 | ”for the conclusion
the world might jump to”

1:31:50 | ”I was mistaken. . . ”

1:31:56 | ”I thought it was an
expression of amour”

1:32:02 | ”With a smile he greeted me”

1:32:08 | ”I thought it was love”

1:32:29 | What is the matter Didi? Your eyes. . .
– No, it’s nothing of the sort

1:32:35 | My eyes are a bit fatigued

1:32:43 | Another sleepless night?
– I’m anxious, Didi

1:32:50 | Anxiety? Because of the war?
– Are you anxious too?

1:32:55 | Me. . . ? Well. . . Tell me

1:33:03 | Everyone’s anxious, Babli.
Go to sleep

1:33:08 | I’m so anxious,
Didi ! Oh I’m so anxious You don’t know who might die!
– What are you saying?

1:33:17 | Silly! Don’t bring these
things to your mind. Don’t! Didi, why are you so worked up?

1:33:25 | I. . . For your sake,
Babli. You were in tears

1:33:31 | I hate wars. It makes me cry.

1:33:38 | Tears sometimes are a blessing What do I do?

1:33:44 | I can’t cry, I can’t laugh.
Go to sleep

1:34:11 | Captain, I hear this
bridge was built only last year

1:34:16 | How come it has collapsed so soon? Under the weight of
refugees crossing

1:34:24 | An incident like this in times of
war? Could it be a traitor’s work?

1:34:29 | Traitors are what we should call them.
Those who built it, used bad cement

1:34:37 | Adulterated cement? I must expose those who
have betrayed the country

1:35:12 | Read that? And it’s our
newspaper that publishes it

1:35:19 | Must be mere suspicion.
How can they find evidence? That fool Jitendra Gupta is out there.
He might’ve unearthed some evidence

1:35:31 | I have the key to his silence News from Tejpur brings hope.
Our forces have put up. . .

1:35:40 | a determined resistance
against the Chinese aggressors. . . forcing the Chinese
into retreat at Tejpur

1:35:47 | A ceasefire has been announced Hello Didi.
– Hello Ms Amita

1:35:53 | You know, the Chinese are in retreat!
They didn’t reach Tejpur

1:35:59 | That’s great news!
– Great news! I can’t tell you
what great news this is!

1:36:09 | She’s so happy! This is your chance! Say it. Shoot
– Shut up

1:36:16 | Did you say something?
– No. Why don’t you say it?
– What is the matter?

1:36:22 | Bikram has been
pestering me to tell you that. . .

1:36:28 | You won’t ever say it! Let me say it Didi, I want to marry Babli

1:36:37 | What. . . ? No, you can’t marry Babli

1:36:45 | Why not? I thought you loved me like a
brother. – That may be so. But. . .

1:36:53 | I want to see Babli happy.
– Babli will be very happy with me

1:36:58 | I’m certain !
– No, you are mistaken

1:37:04 | How come. . . ?
– Is she in love with someone else?

1:37:09 | No. . . she has told me nothing.
– Then you know something?

1:37:14 | Is there anyone else in her life? Didi, I want to listen to the radio

1:37:22 | Your sister was saying. . .
– Never mind. Go on

1:37:35 | We could’ve found out from her.
Why did you send her away?

1:37:40 | I don’t think I’m answerable to you.
All I’m telling you is. . .

1:37:45 | as long as I’m alive, you
won’t marry Babli. Never I know why! You don’t want
your sister to be loved.

1:37:55 | Because, for yourself you
haven’t had a man’s love

1:38:01 | I apologise on his behalf Fool ! Get out of here

1:38:16 | You haven’t had a man’s love

1:38:30 | Hello Ms Amita

1:38:39 | You might be surprised
seeing me here. I’ve just returned

1:38:45 | Be seated

1:38:53 | My suspicions about the
bridge turns out to be true I’ve found the evidence.
I want to do a series of articles

1:39:01 | Do that Think it over, Ms Amita. The person
who supplied adulterated cement. . .

1:39:09 | is your partner in the paper

1:39:14 | I have no partners For the sake of the truth,
publish whatever you want

1:39:23 | I’m with you

1:39:31 | I mean Mr Gupta, when
did you return from Tejpur? Today

1:39:37 | Didi. . . I knew he went there.
Now who told me. . . ?

1:39:42 | Who else? I might’ve been the one?

1:39:48 | Yes Didi ! You were the one Sit
– What a lovely day!

1:39:56 | Lovely weather Isn’t that so, Mr Gupta?
– Oh yes

1:40:02 | Beautiful weather Let’s go out somewhere,
Didi ! Oh, but how can you?

1:40:08 | You got to go to the office. Mr Gupta,
my sister likes nothing but work

1:40:17 | Liking anything else is no good,
Babli. One ends up a loser

1:40:23 | Go on, take a day out.
– I’ll leave after lunch But where. . . ?

1:40:31 | Where should I go, Mr Gupta? Wherever you feel like.
– Just go somewhere

1:40:39 | Mr Gupta, you must be tired.
You can join office from tomorrow

1:40:46 | The fish ! Brilliant! I love gazing at fish The lake at botanical gardens is full
of fish. I’m going there after lunch

1:41:08 | ”At heart I was always ecstatic”

1:41:17 | ”You’ve added to it a dash of madness”

1:41:58 | ”There’s a bit of
craziness in our age”

1:42:07 | ”And some of it, because we’re young”

1:42:19 | ”And it puts a fire in our my breath”

1:42:28 | ”And you’ve added to
it a dash of madness”

1:42:53 | ”True, at this moment,
I’m not in my senses”

1:43:01 | ”In the ecstasy,
I might swoon in your arms”

1:43:17 | ”Those eyes have devoured me”

1:43:42 | ”These dancing tresses,
this fiery beauty”

1:43:59 | ”Oh stop yourself, please”

1:44:12 | ”My emotions are caught in a storm”

1:44:20 | ”You’ve added to it a dash of madness”

1:44:44 | Welcome Forgive me for interrupting.
– I have the whole day ahead

1:44:51 | This article has to
be in by this evening About the cement factory?
– Yes, please have a seat

1:44:59 | No thanks, I got to get back early Early this morning, the owners of
the cement factory paid me a visit

1:45:09 | They want me to ask Ms
Amita to have you fired

1:45:15 | Then you should’ve
gone to Ms Amita directly

1:45:21 | How I wish you understood me
as well as I understand you I come in hope. Hoping that you will
never do a disservice to Ms Amita

1:45:31 | How can she get hurt? This newspaper earlier operated
from the small building next door

1:45:40 | This new building, all
this new machinery. . . the rise of this newspaper is
all by dint of Ms Amita’s efforts

1:45:50 | For which, she has had
to borrow in millions From whom?
– The very men who want you out

1:45:57 | Ms Amita’s entire
shareholding is mortgaged to them And the term of the
loan is running out So if they want, they
can also throw Ms Amita out

1:46:08 | I came to tell you just that.
I leave the decision to you I am sure whatever you
do will be for the best

1:46:28 | No! Mr Gupta doesn’t leave! Is this your final decision?
– Absolutely

1:46:44 | Forgive us, we have troubled you

1:46:59 | You’re making a grave mistake The paper shouldn’t pass
into their hands, come what may

1:47:08 | You want me to accept their dictate? What option is there?

1:47:16 | You say, your entire
stock is mortgaged to them I’m not going to be threatened !

1:47:22 | As long as I am, Mr Gupta stays For how long? If they wish,
they can have you thrown out

1:47:32 | Will Mr Gupta be able
to survive afterwards? Come what may, he will leave. Why
should you leave your newspaper?

1:47:39 | But how can I throw out
someone who is innocent? Never!

1:47:46 | Must you be so adamant? In your
life this newspaper meant everything !

1:47:52 | Today, you don’t care? Does Mr Gupta mean more to you?

1:47:57 | Give me an answer!
For the sake of what. . . are you determined to ruin your
newspaper, your future, your life?

1:48:04 | Why can’t you fire Mr Gupta? I won’t! I won’t fire him!

1:48:15 | Why, I ask you ! What reason
is it that’s stopping you? What comes over you at the
mention that he might have to leave?

1:48:23 | Could it be that you have
a soft corner for Mr Gupta?

1:48:33 | Then my suspicion is true.
You are in love with Mr Gupta

1:49:21 | They want to throw you out! Just let
them try! We’ll raze this building !

1:49:28 | Oh but this is all stone. . .
we’ll raze it nevertheless We’ll go on strike, red flags and all !

1:49:36 | One of the union leaders
shares a tipple with me All I got to do is ply him some,
and we have a blockade

1:49:42 | Madam is in her office Where are you going? Listen. . .

1:49:50 | I’m no Chuni Lal unless I
fix each and everyone of them I’ll take a photo his folks won’t
recognise, forget his neighbours!

1:50:05 | Ms Amita. . .

1:50:16 | What’s this?
– My resignation

1:50:22 | Resignation? Yes. I’m quitting.
– Why?

1:50:31 | Till yesterday, you were happy here.
Why, all of a sudden. . . ? Nothing. I just want to leave.
– Tell me the truth

1:50:40 | Has the cement lobby threatened you?
Are you doing this for me?

1:50:45 | For the newspaper. More than me,
this newspaper needs you

1:50:50 | But. . . I can’t run this paper all alone

1:50:58 | You aren’t leaving.
– Please appoint another news editor Why get into trouble for my sake?
Please, let me leave

1:51:08 | You are being uselessly stubborn.
Take your resignation back

1:51:15 | I’m helpless, Ms Amita. My ego
won’t let me work here anymore

1:51:21 | All you care for is your own ego?
What about someone else?

1:51:29 | The managing director’s
words hold no meaning for you? I don’t get any of this. My departure
will help keep your newspaper afloat

1:51:37 | What else is your problem?
– Don’t trouble me anymore! For God’s sake! I don’t accept
your resignation ! You aren’t leaving

1:51:43 | You aren’t and you aren’t!
– Irrespective, I’m leaving

1:52:22 | Are you going somewhere?
– Yes

1:52:29 | At night. . . ? Where?

1:52:36 | I’m leaving this house

1:52:45 | Come off it! Give me that suitcase.
– No Didi No. . . ?

1:52:51 | You won’t obey your sister?
– No! I’ve always been afraid of you But you don’t scare
me anymore! Get that?

1:53:02 | What’s all this happening?

1:53:09 | Why are you misunderstanding me? If I ever said anything untoward,
it’s for your own good, Babli

1:53:20 | I’ll be the judge of that, Didi.
I’m not a kid anymore Think of your own good,
think of your life

1:53:27 | My life is for you.
What have I left but you?

1:53:38 | If you leave me, this
loneliness will drive me mad, Babli ! It’ll drive me mad !
– Who’s asking you to be lonely?

1:53:47 | Why don’t you marry?

1:53:52 | Marry. . . ?
– Yes. Get married How long will I give you company?
Everyone wants to make a family

1:53:59 | I too want a home of my own

1:54:05 | Babli, sit

1:54:11 | You needn’t leave home over this I’ll get you married to the man
you want. I’ll give whatever you want

1:54:22 | Yes, whatever you want.
– Then let me leave

1:54:27 | Are you too shy to tell me?
I know where you want to go

1:54:33 | I know whom you want to marry.
– You are mistaken Don’t you lie to me.
– You’re so old-fashioned

1:54:41 | Talking to a man, laughing with him,
doesn’t mean I’m in love with him Try as you might, you
aren’t deceiving your sister

1:54:48 | You may assume
whatever you wish. I’m leaving Babli ! I’m not letting you leave!
Never! Tell me the truth !

1:54:56 | Why do you want to leave?
– Because you’ve lost your senses You want to force Jiten
upon me! Let go of my hand

1:55:03 | No Babli ! No! Don’t
go away! I beg of you !

1:55:08 | Oh why do you hate me?
Babli, have pity on your sister! Babli ! Stop! For my sake!

1:55:45 | Babli went away She too is gone. . .
leaving me all alone

1:55:58 | Uncle, Ms Sunita is here

1:56:09 | You. . . ? So late at night?

1:56:18 | What’s the mater Sunita?
Is Ms Amita all right?

1:56:26 | Didi. . . ? She looked harried today.
I was concerned

1:56:37 | You care for Didi?
– Who wouldn’t? Why do you ask?

1:56:46 | She’s fine. You must take care of her always.
Else, I’ll quarrel with you

1:56:54 | What are you saying? What
has come over you today?

1:57:01 | Today. . . today’s a happy day for me

1:57:07 | Didi, I’m getting married tomorrow.
– Tomorrow? Jitu, why didn’t you tell me earlier?
– Are you marrying my uncle?

1:57:16 | Your uncle is just a friend of mine.
The one I’m marrying, is a lovely boy

1:57:28 | Why are you silent?
Won’t you congratulate me? Why not? Sushma, get some sweets

1:57:41 | Sunita, are you joking?
– Strange of you. . .

1:57:47 | to take the truth for a joke,
and you take a joke to be true?

1:57:54 | Look into my eyes and say it.
Everything was a joke?

1:58:00 | Tell me you don’t love me Is it a must to marry everyone
one has a light romance with?

1:58:10 | Life is to be enjoyed.
That’s all I know I’d hate to cry after I’m married.

1:58:15 | Were you to marry me
you’d never be happy? Would it be a life of misery?

1:58:23 | That’s my lot. I’ve been very lucky.
I always liked a comfortable life

1:58:30 | I’m marrying a millionaire Congratulations

1:58:36 | How come the millionaire’s bride-to-be
is standing in a poor man’s hovel?

1:58:45 | I don’t take you for an enemy.
– Thanks

1:58:52 | I shall never forget this courtesy

1:58:59 | I’m getting late

1:59:16 | Whether you sell your
share or whether you pawn it. . .

1:59:23 | you aren’t mortgaging my share.

1:59:29 | Just selling my shares won’t
help pay back Ms Amita’s debts. Her debts run into millions

1:59:34 | I take the responsibility.
You’ll get back every cent At this point of time,
you must help her

1:59:45 | Help whom? The person who
wouldn’t let me marry Babli?

1:59:52 | Why don’t you understand? Helping her now will
pave the way to marry Babli. I’m sure, she will be happy to oblige

2:00:02 | Not afterwards. Before.
First I marry. Then I help

2:00:08 | Will you cash in on this crisis?
– Give and take

2:00:16 | I’m your little brother
– I’m ashamed of you !

2:00:39 | Will you marry me?
– Marry. . . ? Tomorrow.
– Tomorrow itself? Or the day after?
– Right now! Right away!

2:00:48 | Come on, let’s find ourselves a priest

2:00:55 | Have you run away from home?
– Yes, Hollywood style Eloping is in vogue!
– Stop raving

2:01:02 | I’m not about to let this happen.
How will I face your sister?

2:01:07 | Just let the wedding get over.
Afterwards, I might even be willing. . . to help her tide the crisis.
– What kind of crisis?

2:01:15 | All because of that Jitendra Gupta.
The directors want him out Simple. Throw him out.
– Why throw him out?

2:01:23 | Because he’s worthless.
What is he? Just a news editor

2:01:28 | He has got the board warring. I don’t
understand why he doesn’t leave

2:01:33 | I think he’s a cheap fellow

2:01:39 | What did I say?
– That’s what you deserve Come here

2:01:49 | You stay away from him. You will
marry with your sister’s consent

2:01:54 | Not her consent. Mine!
I’m going to marry Bikram!

2:02:04 | Didi’s photo? In your bedroom?

2:02:19 | Madam. . .

2:02:28 | Mr Verma is here

2:02:33 | Mr Verma

2:02:49 | Ms Amita. . .

2:02:56 | Are you all right?

2:03:02 | Babli has gone away
and I don’t know where Don’t worry. She’s fine.
She came to my house last night

2:03:13 | Your house?
– Yes She wants to marry Bikram

2:03:20 | Bikram. . . ?
– Yes

2:03:26 | Why did she desert me for that? I told her she can
marry whoever she wants

2:03:35 | You said that? Then why
did she have to leave?

2:03:42 | I don’t understand. . . if she loves Bikram,
why did she slap him?

2:03:51 | What did you say? She slapped Bikram?

2:03:56 | Yes, he spoke against Mr Gupta

2:04:05 | Then it’s true! Silly girl ! Why did she lie to me?
I knew she doesn’t like Bikram

2:04:15 | I knew it well ! I’m not going to let her
ruin her life by marrying Bikram

2:04:21 | Never! I won’t let this marriage happen

2:04:34 | Not Bikram. It’s me Didi. Your Babli.
Why are you so worried?

2:04:41 | You ask me why I’m worried?
You’re worried, how can I not be?

2:04:48 | But Didi. . .
– You mustn’t have slept all night

2:04:55 | I did. Had a sound sleep.
– Liar

2:05:01 | Did you ever have a sound sleep
unless your sister tucked you in?

2:05:07 | You suffer and make
your sister suffer! I’ll punish you ! Just you come home

2:05:17 | But Didi, listen. . .
– Not a word

2:05:22 | I know. You’re crying on the sly

2:05:33 | Come back. . . come back to your sister

2:05:40 | Coming. . . I’m coming right away.
– Hurry!

2:05:45 | And tell Bikram, you
aren’t marrying him But I’m going to marry Bikram.
– But why?

2:05:56 | Why are you out to destroy yourself? You too are out to destroy
your happiness for my sake!

2:06:03 | How can I let this happen?
No! I’m not coming

2:06:08 | Listen Babli. . .

– She won’t come She says, my happiness will
be destroyed if she returns

2:06:28 | She said that? Meaningless drivel ! Let me
see how she won’t return

2:06:37 | Have I not even this right?
I’m going to drag her here No Ms Amita ! Stop! I know
why she’s doing all this

2:06:46 | She too knows that you
are in love with Mr Gupta

2:06:53 | Good God !

2:07:00 | The only way out. . .
then this is the only way

2:07:24 | Where is she? If you want to see me alive, come
back to me! Babli ! Don’t hide from me!

2:07:32 | Madam. . . Where’s Babli?

2:07:38 | She went out with Mr Bikram.
She left this note for you Didi, I knew you’d come here for me

2:07:45 | But now it’s time for you to
think of your own happiness By the time you receive this letter,
I would’ve married Bikram

2:08:06 | No. . .

2:08:24 | Married already?

2:08:46 | You must give a month’s
notice for a civil marriage Only afterwards can
I conduct the marriage

2:08:53 | But we want to get married today!
– There’s the law, lady

2:08:58 | I’m a government registrar.
Not a priest You may fill in the notification.
A month afterwards. . .

2:09:03 | you may come to get married.
– But. . .

2:09:23 | Your sister left a while ago.
She wasn’t in a good shape What happened to her?
– She read your letter

2:09:29 | Then she went insane! Didn’t even
recognise me. She’s in bad shape

2:09:37 | Oh, what am I to do?

2:09:47 | The family always
interferes till the wedding is over In a while, the two
of you will patch up

2:09:59 | Didi is in a bad shape.
She’s so miserable. . .

2:10:05 | Where is she?
– I don’t know She seems to have left here in
a disturbed state a while ago

2:10:22 | Didn’t you have this shoulder
to weep on? Why that shoulder?

2:10:31 | Mr Verma, this is Gupta. I’m
calling from your residence Has Ms Amita reached home?

2:10:37 | She seems to have left a
while ago in a disturbed state. Where might she have gone? There’s a board
meeting today. Maybe. . .

2:10:54 | We’ve waited long enough.
Maybe Ms Amita and Mr Verma. . . don’t wish to attend this meeting.
– Let them not

2:11:01 | Gentlemen, the quorum is full I request Mr
Gulabchand to chair the meeting

2:11:15 | Some members wish to move
a no-confidence motion. . . against the managing director.

2:11:20 | We have to decide. . . whether Ms Amita
remains our managing director

2:11:29 | Welcome Mr Verma. We
have been expecting you

2:11:44 | No! Don’t look at me like that!

2:11:51 | Don’t look at me in anger! No!

2:11:56 | I know why you’re angry

2:12:01 | For my sake, Babli
has ruined her life!

2:12:09 | Not here.
– Where might she be? At home perhaps?
– Let’s look in the library I think. . .

2:12:21 | I swear by you ! For the sake of your Babli,
I can even give my life!

2:12:32 | Just think. The newspaper we’ve
pumped millions into, is our enemy

2:12:38 | I went along with them
for the sake of the paper! The ones I trusted
turn out to be my enemies!

2:12:47 | They want to throw me out! They
want to grab my father’s newspaper

2:12:56 | Didi. . .
– Open up I won’t let them have
my father’s newspaper!

2:13:03 | You hear? I shall never let that be! Never! Never!

2:13:43 | Call a doctor

2:13:51 | No Mr Verma ! Not as long as I’m alive!

2:13:57 | Never!
– What. . . ?

2:14:04 | After I’m gone. . .

2:14:11 | Mr Verma, call Jitendra

2:14:19 | Jiten is right here, Didi
Why can’t she recognise people? You want to tell Jitendra something?

2:14:26 | Tell him I haven’t
mortgaged Daddy’s old office

2:14:35 | Let him start a new paper from here.
– I shall tell him that But don’t ever tell him that. . .
– What. . . ?

2:14:48 | That I too. . . Never tell him that! Never!

2:14:56 | Just tell him to start a new paper

2:15:07 | The Eternal Spring will return

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